LEIDY CHURCHMAN / DAVID DOUARD / ANTHEA HAMILTON /
VEIT LAURENT KURZ / ADAM MARTIN /
ALINA SZAPOCZNIKOW / ALICJA WAHL / ROYCE WEATHERLY
OLD VEINS, NEW TUNNELS
JANUARY 21 – FEBRUARY 25
Veit Laurent Kurz, works from the Circle Of The Bees series, 2022
Alicja Wahl, Tom I Bożena Love
(Tom And Bożena’s Love), 1973
Ink on paper
99,5 x 75 cm (39 x 29,5 in)
Alicja Wahl, Bliźniaczki, Rysunek Z Cyklu Autoportrety
(Twins, Drawings From the Series of Self Portraits), 1973
Ink on paper
99,5 x 75 cm (39 x 29,5 in)
Alicja Wahl, Cztery Pory Życia
(The Four Seasons of Life), 1974
Ink on paper
70 x 80 cm (27,5 x 31,5 in)
David Douard, EV’R*, 2022
Mixed wood, screen printed wood, plastic sheeting, steel, glass, epoxy resin, aluminum, upholstery nails, hair clips, stickers
100 x 109 x 200 cm (39 x 43 x 78 in)
Leidy Churchman, Two Two, 2012
Oil on canvas
100 x 85 x 3 cm (39,4 x 33,5 x 1,2 in)
Adam Martin, CEM, 2023 version
Digital visual novel, monitor, cpu
Soundtrack by Chicken
Anthea Hailton, Mama Moth Bean Bag, 2018
Digital print on upholstery velvet, gingham polycotton, faux fur, PVC, wool tartan, polystyrene filling, cotton thread
105 x 325 x 60 cm (41 x 127 x 23 in)
Royce Weatherly, More or Less, 1994
Oil on linen
40,5 x 50,8 cm (16 x 20 in)
Veit Laurent Kurz, Untitled (COTB series), 2022
Oil, acrylic and crayon on canvas
100 x 100 cm (39,4 x 39,4 in)
Alina Szapocznikow, Kroczące Usta
(Bouche en Marche), 1966
Colored polyester resin
53 x 16,5 x 16,5 cm (20,9 x 6,5 x 6,5 in)
LEIDY CHURCHMAN / DAVID DOUARD / ANTHEA HAMILTON / VEIT LAURENT KURZ /
ADAM MARTIN / ALINA SZAPOCZNIKOW / ALICJA WAHL / ROYCE WEATHERLY
OLD VEINS, NEW TUNNELS
JANUARY 21 – FEBRUARY 25, 2023
“But from that mysterious, joyous and superbly complete life which is called Death..
That life of shadow and of unknown shapes, where all can not be blackness and fog as is supposed, but vivid colour, vivid light, sharp cut form, and which one finds people with strange, fierce and solemn figures, pretty figures and calm figures, and those figures impelled to some wondrous harmony of movement, all this is something more than a mere matter of fact; from this idea of death which seems a kind of spring. A blossoming–from this land and from this idea can come so vast an inspiration, that with an unhesitating exultation I leap forward to it and behold, in an instant, I find my arms full of flowers..”
Edward Gordon Craig, The Actor And The Über Marionette, in “The Mask,” 1908